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- Jazz, Blues & American [sic]"Negro" Music3-4
Jazz was seen as degenerate and lacking form. Jazz and Blues were also
seen by the Nazis as associated with "Negro" music, who were seen as racially
inferior to the Aryans. Ironically, though, there was a band called Charlie's Orchestra
under the sponsorship of the Reich which was to be used in propagandizing the West. Jazz
was seen as degenerate partly because of the Nazi's perception that American Jews were
behind the music. It was also equated with low-morals, the most objectionable type was swing.
Those caught at 'swing' parties could be incarcerated in Nazi Germany as it was seen as
corrupting youth.5
- All Music of Jewish Origin
(e.g.
Mahler, Mendelssohn, Meyerbeer, etc.)1,3-4
All Jewish Art was immediately censored and segregated as soon as the Nazis took office.
In 1933, immediate restrictions went into place removing Jewish professors and artists from University
and government offices. A Reichsmusikammer, or Reich Music Chamber was established for the
- American Popular Music3
American popular music was seen as perhaps not degenerate, but superficial and unworthy.
American songs were often parodied by the Germans, for example "Stormy Weather" was rewritten into
a song about Churchill beign incompetent.
- All Music with English Words3
- All Music with no Melody and Only Rhythm3
- All 12-Tone-Row Music (e.g. Schoenberg) & Atonal
Music1-4
- Music Deemed Demoralizing to War Cause 3
- All Music not in Line with Reich Views and Morale3
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