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The ultimate aim of all creative activity is a building! The decoration of buildings was once the noblest function of fine arts, and fine arts were indispensable to great architecture. Today they exist in complacent isolation, and can only be rescued by the conscious co-operation and collaboration of all craftsmen. Architects, painters, and sculptors must once again come to know and comprehend the composite character of a building, both as an entity and
in terms of its various parts. Then their work will be filled with that true
architectonic spirit which, as "salon art", it has lost.
The old art schools were unable to produce this unity; and how, indeed, should
they have done so, since art cannot be taught? Schools must return to the
workshop. The world of the pattern-designer and applied artist, consisting
only of drawing and painting must become once again a world in which things
are built. If the young person who rejoices in creative activity now begins
his career as in the older days by learning a craft, then the unproductive
"artist" will no longer be condemned to inadequate artistry, for his skills
will be preserved for the crafts in which he can achieve great things.
Architects, painters, sculptors, we must all return to crafts! For there is
no such thing as "professional art". There is no essential difference between
the artist and the craftsman. The artist is an exalted craftsman. By the grace
of Heaven and in rare moments of inspiration which transcend the will, art may
unconsciously blossom from the labour of his hand, but a base in handicrafts
is essential to every artist. It is there that the original source of creativity lies.
Let us therefore create a new guild of craftsmen without the
class-distinctions that raise an arrogant barrier between craftsmen and artists!
Let us desire, conceive, and create the new building of the future together.
It will combine architecture, sculpture, and painting in a single form, and
will one day rise towards the heavens from the hands of a million workers as
the crystalline symbol of a new and coming faith.
WALTER GROPIUS
Public Domain Document
Also available at
The Archives of the Bauhaus Museum
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