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The Music of Terezin

Play something wonderful for us, You Jews Love Your Music,
Here in Terezin, Where nothing grows but numbers

Musicians are Never Expecting Exile: Music is Exile

The Music of Terezin were a fellowship of musicians unique in history. Nearly all had been exiled from positions of prominence in Berlin, Munich and other cultural centers of Germany. Among them were such as Hans Krasa, Viktor Ullman and Pavel Haas, whose music was already

The Musicians of Terezin

Viktor Ullman
Hans Krasa

Peter Deutsche

Pavel Haas

Gideon Klein

Karel Reiner

Zikmund Schul

Carlo S. Taube

James Simon

Hanus Thein

Ilse Weber

Edith Steiner Krauz

Rudolf Freudenfeld

David Grunfeld

Karel Berman

Juliette Aranyi

Karel Frohlich,

Alice Herz-Sommer

Egon Ledec

Bernard Kaff

recognized. One of the reasons many musicians were sent to Terezin was that they were visible: Terezin was a 'showcase' for the Nazis---while the suffering there was great and most were eventually deported to Auschwitz or its sub-camps, the Nazis kept portions of Terezin for public show: when dignitaries visited, the musicians played, when the Red Cross visited to determine conditions, the musicians were called to perform: it was the one place in Europe where Jewish Music was still freely heard (for the most part.) Terezin turned to its music and art to survive the brutality of the Nazi incarceration: there was Chamber and Orchestra Music at Terezin, piano recitals, compositions and quintets.

A Children's Choir/Theatre performed over 50 performances of "Brundibar" an opera about Children trying to usurp a local 'ogre'. It held a veiled fist against the tyranny which had brought them there. The Children were not alone in their metaphors of resistance: 'The Emperor of Atlantis' provided a relief of resistance in adult performances, and a musical/opera about bicycles was a raised fist of freedom as well. As the notoriety of the disappearance of the more prominent musicians disappeared, most of the Musicians were deported to Auschwitz and smaller labor/extermination camps such as furstengrube. Used occasionally for Music in the camps as slaves departed for labor, or on the whim of Nazi officials, Music gave no refuge from the gas chambers: many of the musicians of Terezin and their families were killed at Auschwitz. A few survived the war and went on to become bright and even famous musicians in America and Europe: their music still lives on. The Terezin Chamber Orchestra in Boston and other groups keep the music written in Terezin alive.

LINKS

  • Gideon Klein
  • Hans Eisler: virtual tour
  • Terezin Music.Org

     

  • Klein
  • Pavel Haas Foundation
  • Hans Krasa
  • Viktor Ullmann
  • Music of Klein
  • Terezin Music
  • Viktor Ullman Foundation
  • Gideon Klein
  •   

    FOOTNOTES

    Thanks to "D.VanGuard" for the adaptable code and scroll design